Showing posts with label L. Frank Baum. Show all posts
Showing posts with label L. Frank Baum. Show all posts

November 14, 2008

Cruel and Unusual PUNishments

Many years ago I went through a period that I loved puns. If you watch the Today show on NBC, some days Al Roker and Matt Lauer can really get on a roll with puns.

In addition to writing in a very broad range of genres, from history to science fiction to fantasy to mystery to science, Isaac Asimov also published joke and humor books including Isaac Asimov's Treasury of Humor (1971). (You can read parts of it online here.) He was quite fond of puns and whether he was the first to say it or not, I remember him commenting that puns were one of the highest forms of humor.

One of his groan-inducing, pun-driven jokes that I remember goes something like this:

A man with the last name of Stein committed a crime, then used a time machine to escape to a point in the future just after the statute of limitations on his offense ran out.

He was found, arrested and brought to trial on the theory that since he did not actually live through that passage of time, the statute of limitations should not apply.

After hearing arguments on both sides and examining the evidence, the judge issued his verdict in Stein's favor and the headlines read: "A niche in time saves Stein."

If, for whatever reason, you are looking for some additional reading punishment, here are a few suggestions.

Several years ago I went back and reread many of the books and series from my childhood. This included the book that sparked my interest in reading - The Wizard of Oz (1900) and the subsequent 13 sequels by L. Frank Baum. The story had many elements I had completely forgotten about, especially since they weren't in the movie. In some regards I was a little disappointed as the story had lost some of its magic, but in other areas I found it more meaningful so it is still one of my favorites despite its meandering plot.

Anyway, upon my rereading I was surprised at the sheer number of puns in all of the Oz books. I must not have caught them when I was younger, or the magical newness of the characters, creatures and events overpowered the puns at the time.

In Junior High one of my teachers exposed me to books written and illustrated by Fred Gwynne. (Yes - the same Fred Gwynne who played Herman Munster on The Munsters TV series.) He also loved puns and his books, The King Who Rained (1980), The Sixteen Hand Horse (1982), A Chocolate Moose for Dinner (1987), and A Little Pigeon Toad (1988) are full of puns created as a child tries to visually reconcile what common phrases, many with homonyms mean.

I read an interview with Gwynne in which he showed many sculptures and various odds and ends he created himself, included a small bell shaped like a banana. The sole purpose behind this nick-knack was to set up the joke that when it is rung it peals.

As a teenager, I read several of Piers Anthony's Xanth stories. The sheer volume of groan-inducing puns in these books is staggering. These are not for young children like the Oz or Gwynne's books, however, as some of the plots, jokes and characters can be risque (to put it mildly). Starting with A Spell for Chameleon (1977), Anthony has continued to publish these formulaic stories (well, at least they were formulaic up through the sixth or seventh book and I stopped reading them) for 30 years now with the 32nd in the series, Two to the Fifth, published last month.

More recently David Farland's younger young adult Ravenspell series with Of Mice and Magic (2005) and The Wizard of Ooze (2007) uses a few puns, but not nearly to the extent of the other books I have mentioned here. Younger readers might enjoy the stories solely for the fantasy elements while older readers will pick up on jokes and pop culture references that pass completely over their heads.

Let me know if there are other books I should add to this list.

February 5, 2008

Parallel Stories

I have a brother in-law who collects versions of Charles Dickens' A Christmas Carol , the original version being A Christmas Carol: In Prose, Being a Ghost Story of Christmas (1843) illustrated by John Leech. Several years ago my wife and I gave him Marley's Ghost (2000) by Mark Hazard Osmun (currently out of print) which tells more about Jacob Marley's life and his activities behind the scenes getting the various ghosts involved with Scrooge.

Around that time, I also read Orson Scott Card's Ender's Shadow (1999) which overlaps the award-winning story in Ender's Game (1985), also by Card, but from the character Bean's perspective instead of Ender's.

I have since then encountered several other classic or favorite stories with other books published telling the story from another character's point of view. Most of the time, the stories fill out the background on some of the minor characters, fill in gaps between events or give behind the scene activities, and then possibly carry the story beyond the end of the original - at least in regards to the originally minor characters.

In fact with Card, he has now created an entire Shadow series that continues the story of several of the characters introduced in Ender's Game, helping to bridge Ender's Game with Speaker for the Dead (1986) and other books in the Ender series.

I was aware that for Hamlet (ca 1600) by William Shakespeare, we have the parallel story of Rosencrantz and Guildenstern Are Dead (1966) by Tom Stoppard. While I researching this I discovered not one, but two books written with Ophelia as the principal character - Dating Hamlet: Ophelia's Story (2002) by Lisa Fiedler and Ophelia (2006) by Lisa Klein. (Is there something with Lisas and Ophelia?)

Fiedler apparently followed up her Ophelia book with a companion story to Romeo and Juliet (ca 1596) by William Shakespeare titled Romeo's Ex: Rosalind's Story (2006).

For Macbeth (ca 1605) by William Shakespeare, there is Enter Three Witches (2007) by Caroline Cooney.

I wouldn't be surprised if other authors haven't already tackled more of the Bard's work in this way, although there seems to be a recent surge in this type of novel and they seem to be targeted to young adults.

As the movie The Lion King (1994) is draws several plot elements from Shakespeare's Hamlet, perhaps it is not too surprising Disney did a direct-to-video prequel/mid-quel in the vein of Rosencrantz and Guildenstern Are Dead with The Lion King 1 1/2 (2004), showing that Timon and Pumba's lives intersected and inadvertently affect Simba's story before they actually appeared in The Lion King. (Both of these Disney movies are in moratorium at the moment.)

Gregory Maguire wrote Wicked: The Life and Times of the Wicked Witch of the West (1996) which is not really a parallel story to the The Wizard of Oz (1900) by L. Frank Baum and originally illustrated by W. W. Denslow, but rather a story telling the perspective of the Wicked Witch of the West in an Oz that is an amalgamation of lands, creatures and characters from the other Oz books Baum wrote, with key elements from the movie The Wizard of Oz (1939), but I think it draws on enough of the original story it can be included here.

The last example I have is from the recent vampire novel Twilight (2005) by Stephenie Meyer. This is told from Bella's point of view. Meyer has started book chronicling this story from Edward's perspective which is currently called Midnight Sun. On Meyer's website you can download and read the first chapter by clicking on the links on this page: http://www.stepheniemeyer.com/otherprojects_midnightsun.html.

With the exception of the stories by Card and Meyer, the parallel versions were written by a different author. Most of these weren't done as a parody, but rather as a means of examining or enlarging on themes or plots covered or suggested by the original. Most of the time characters developed and grew beyond the scope their appearance in the first work allowed, increasing the depth of the original.

While Rosencrantz and Guildenstern Are Dead is a comedy, it stands on its own as it deals with some philosophical issues that the original really couldn't go into. (As does The Lion King 1 1/2, although from what I remember the additional themes it deals with are rather shallow.)

If any of you know of other parallel stories out there, please share them.